home *** CD-ROM | disk | FTP | other *** search
- <text id=90TT2466>
- <link 90TT2272>
- <title>
- Sep. 17, 1990: It's Great! Don't Show It!
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Sep. 17, 1990 The Rotting Of The Big Apple
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 70
- It's Great! Don't Show It!
- </hdr>
- <body>
- <p>A misguided rating system slaps an X on a discreetly erotic film
- </p>
- <p>By Richard Corliss
- </p>
- <p> Henry Miller, an expatriate Brooklynite in '30s Paris, wrote
- rambunctious novels about sex and saw Tropic of Cancer banned
- in his homeland for 30 years. Anais Nin, a Frenchwoman who
- befriended Miller, wrote intimate journals that remained
- expurgated long after their publication. Now American director
- Philip Kaufman (The Right Stuff) has made a biography of the
- two writers and Miller's wife June. Surprise! Henry & June has
- been rated X by the industry's classification board.
- </p>
- <p> If the rating sticks, Kaufman could become the most notable
- victim of an increasingly misguided system of self-censorship.
- Even in a year when the rating board has slapped Xs on a dozen
- films, the Henry & June rating sent new shudders through
- Hollywood's creative community. "Phil Kaufman does not make
- X-rated movies," says filmmaker James Brooks (Terms of
- Endearment). "So if Kaufman makes a movie that is rated X, then
- there's something wrong with the system."
- </p>
- <p> There is indeed. It is a system that punishes eroticism with
- an X rating, yet rewards violence--from rape to dismemberment--with an R. Each new violent movie, like this summer's Total
- Recall, wants to astonish jaded audiences with its
- special-effects audacity. But adult sexuality, even when
- investigated as discreetly as it is in Henry & June, is deemed
- objectionable. "You can cut off a breast," says Kaufman, "but
- you can't caress it. The violent majority is dictating to a
- tender minority."
- </p>
- <p> So what happens in Henry & June? The main characters make
- urgent love, man to woman, woman to woman. They visit a
- whorehouse and watch prostitutes mime sex. They attend a dada
- Mardi Gras where nude women wear blue paint. But Henry & June
- is not a blue movie. Kaufman is a fastidious director; he
- bathes every love bout in soft focus, or covers it in lace, or
- reflects it in a goldfish bowl. It's not just that his intent
- is artistic, it's that his content is mild. Lesbian love, for
- example, was shown more graphically in Personal Best, Desert
- Hearts or Kaufman's The Unbearable Lightness of Being, all rated
- R. "I played by the rules," he says, "and they changed them."
- </p>
- <p> Some rules never change. Even a studio as sympathetic to
- maverick talent as Universal Pictures will not release an
- X-rated film. "We want to support Phil's vision," says
- Universal president Tom Pollack, "as we did with Spike Lee on
- Do the Right Thing and Martin Scorsese on The Last Temptation
- of Christ." But if Henry & June loses its Oct. 3 appeal to the
- rating board, Kaufman has only two options: cut the film to the
- censors' pattern or take his movie to an independent
- distributor.
- </p>
- <p> If reason prevails and Henry & June is released as is, its
- ads can run a money quote: "A masterpiece! Don't cut a frame
- of it!" What movie critic proffered that rave? Richard Heffner,
- head of the rating board, who made those comments to Kaufman
- as he awarded the film its toxic X.
- </p>
-
- </body>
- </article>
- </text>
-
-